newnoise1 gets stylish on money and investing in 2010

The subject of money is never far from my mind. This is in line with the psychological principle that we often can't stop thinking about things we don’t have.

Especially when all our neighbors, in fact entire neighborhoods, have things we don't have. The wanting trend is so common among humans that a spiritual law had to be created against it. This ancient law proves that even before capitalism everybody wanted stuff and thought all the time about stuff they didn't have. Today, some become obsessed and either go for therapy or work in financial areas where they can skim off the top and do other such clever things, legally, at the office, on a daily basis. But that is not what I'm blogging about. I'm off on a tangent.

I have ignored money as a topic worth thinking about at my own peril. Since realizing this mistake I have elevated it from its place in my topic catalogue where it use to sit next to the likes of subjects such as dress making, WWE wrestling (sorry don't know what WWE stands for and don't care) and how to peel a carrot if you don't have a knife.

I wrote about my fits of fear and hyperventilation about being aged and toothless with no prospectus a few months ago in an article on frugality. Since then I have done much in the way of spending less. Sad to say I am not yet rich. If you are clued up on money you will know that four months mean nothing. In Money World four months are only like sands through the hour glass and such are the days of our lives.

Nevertheless, I have come across a number of principles with regard to money that seem to provide a clue on how to approach the subject.

One book I read was written in such a weird style that I only noticed it was really about saving and investment by the time I reached chapter four . This is the kind of money book I like. The style fascinated me because well, listen to this:

'If thou select one of thy baskets and put into it each morning ten eggs and take out from it each evening nine eggs, what will eventually happen?'
'It will become in time overflowing.'
'Why?'
'Because each day I put in one more egg than I take out.'

The words to notice here are 'thou' and 'thy' in the first sentence. The book made me feel as if I was reading and understanding Shakespeare at a remarkable pace. The other remarkable thing is the basic arithmetic (ten minus nine) that's normally absent in writings on saving and investment where it is often more important to hide service fees among a bushel of complicated graphs. But this kind of arithmetic I can live with. Easy peasy, as they don't say in Babylon.

The book, The Richest Man in Babylon, is filled with Babylonion words such as 'doth' and 'upon' and 'setteth' which make you feel as if you are indeed walking down Babylon's dusty ancient streets clutching your little purse stuffed with gold and silver coins. Feelings are important to.

The book will inspire you to think about how you manage your money and advises confidently on how to get your lean purse to overflowing.

Some of the rules of engagement include:

1. Pay yourself first. Keep some of your money for yourself, about ten percent. Live on less than you earn. (see ten minus nine reference above)
   


2. Hang on to the money you saved. Or in Babylonion: 'You do eat the children of your savings. Then how do you expect them to work for you?'



3. Learn and know everything there is to know about your trade.



4. Be careful who you invest with. As they say in Babylon: 'Usurious rates of return are deceitful sirens that sing but to lure the unwary upon the rocks of loss and remorse.' (This is pure Babylonion. Notice the stylish repetition of the s-sound that aims to multiply your fear of risky investments.)



5. Budget. As they say in Babylon, 'Budget then thy necessary expenses. Touch not the one tenth that is fattening they purse.'



6. Make your money work for you . . . 'Put each coin to laboring'.
   


7. Buy your own home. 'Then will thy own heart be glad because thou wilt own right a valuable property and thy only cost will be the Kings taxes.'



8. Start early with a pension plan and protect your family from loss of income.



9. Do not buy on credit and do pay your debts. 'Thereby shalt thou acquire confidence in thyself to achieve they carefully considered desires.'

These doth include only some of the Babylonion saving and investment methods.

George S. Clason was a financial author who wrote a series of essays on money and investment that was later compiled into book form and published as The Richest Man in Babylon. First published in 1926 the common sense advice and story telling style made it a winner that is republished about every four or five years.

You will notice a absence of reference to inflation. I suspect the book was written Before Inflation. Inflation means that the ten percent savings Clason suggests could be worth less than ten percent over time once you minus inflation. Such are the days of our lives.

Please note that I am not a financial advisor (God forbid). I am only recommending this book as a good read. Remember, one day you will look up and notice that there is really absolutely nothing worth watching on television, this will be the ideal time to read this book.

newnoise1 reviews Zen and the Art of Motorcycle Maintenance

Wow! Why did I write the longest review in blogging history on this book? Firstly, the author is saying something that's worth repeating. Secondly, trying to get clever with this book review will be like jumping into a bog and expecting to float around safely on a crocodile's back. Even if the review is lengthy I tried to keep it as basic as possible to avoid being swallowed alive by the bog wildlife.

This is not an easy book. You get the feeling that in real life it would be impossible to have a conversation with the author, Robert M. Pirsig. Half of the book is about his struggles to communicate with his ten year old son.

The manuscript was rejected 121 times until a publisher at William Morrow finally described it to his managers as a work of genius that will attain classic status. This is exactly what happened once the book was finally published in 1974.

Why would an author try 121 times to get his book published? My guess is that it was extremely important to him to let the rest of the world understand the implications of what he had to say.

The book is a descriptive 'thought journey' that the author undertakes to cover a subject he has been thinking about for 20 years. This subject is how rational thought and traditional ways of thinking have taken centre stage in our lives to such an extent that the actual experience of reality has been placed on the back burner.

The book can be compared to Ayn Rand's Fountainhead where the entire focus is on rationality. Rand had an axe to grind with those who, she suspected, did not think for themselves at all. I have no idea if she would have been in agreement with Pirsig's view that the rationality tool has been sharpened to the point where it manages to cut the freshness and newness of everyday life from our sight.

However, as a trained scientist and philosopher Pirsig is in an ideal position to confront the subject of rationality and reality. To him this confrontation became a matter of life and death. It is fascinating to read how he becomes completely preoccupied and obsessed with the subject, looses his mind, is diagnosed as a paranoid schizophrenic, receives shock treatment and wakes up from that experience with his memory erased and a new identity.

It all starts with the term Quality. Pirsig uses the term Quality to refer to reality before it is intellectualized through rationality. Quality is the immediate here and now reality. Science misses a large part of this reality as its focus is mainly on the rational part of reality, including logic, labels and words. Science can only describe this exact moment trough logic, labels and words. Furthermore, science ignores the hip, artistic or feeling parts of life that Pirsig terms 'romantic reality'. In scientific terms 'romantic reality' does not exist. The term Quality combines rational reality and romantic reality into the one actual reality.

Pirsig's point is that Quality (reality) comes first and rationality is secondary to this. He writes:

'Romantic reality is the cutting edge of experience. It's the leading edge of the train of knowledge that keeps the whole train on the track. Traditional knowledge is only the collective memory of where that leading edge has been.' (page 287)

Pirsig describes how these thoughts inspired him to help the students in his freshman writing class write better. They had become so stuck in the rules of writing that they had nothing to say, their creativity disappeared. He recounts how he helped a student get rid of this 'stuckness' by advising her to write about the upper left-hand brick of the Opera House in Bozeman:

'She was blocked because she was trying to repeat in her writing, things she had already heard, just as on the first day, he had tried to repeat things he had already decided to say. She couldn't think of anything to write about Bozeman because she couldn't recall anything she had heard worth repeating. She was strangely unaware that she could look and see freshly for herself, as she wrote, without primary regard for what had been said before. The narrowing down to one brick destroyed the blockage because it was so obvious she had to do some original and direct seeing.' (page 197)

Zen is all about gaining insight through seeing originally with your own eyes in the here and now. In the Tao Te Ching of Lao Tzu (reality as described by Eastern philosophy) Pirsig finds long descriptions that correspond with his understanding of Quality (reality).

At the other extreme Pirsig considers the motorcycle as an example of a rationally developed machine. Mechanics cross out the 'romantic reality' part of the motorcycle. Yet, the motorbike is in fact much more than the mechanical methods used to develop it. Ever heard bikers enthuse about their motorbikes? The real, actual motorbike is about much more than the rational, analytical and mechanical methods used to develop motorbikes. To mechanics these romantic aspects are beside the point. To Pirsig missing these points limits our view of reality.

According to Pirsig we have been using the same methods to find truth and knowledge for too long. Knowledge has become mechanical. For instance, consider the child bored to death by the same learning method repeated day after day. Has she learned anything new? No, millions of children had to study the same material she is now studying. Once romantic reality is removed she is left with the cold hard facts. Insight is beside the point as long as the facts can be memorized. Yet, memory always works in the past and can never, like insight, operate in the immediate present.

Robert Pirsig managed to write a book that tells a fascinating story and that contains a mind blowing message. A large part of life, the actual experience of each moment as new, fresh and creative can be missed through an obsession with rational methods of thought and traditional knowledge. By now it must be obvious that no matter how many times you read this book you'll always find something new. Read it, often.

newnoise1 reviews Fantastic Literature

It was a dark and stormy night

It was a dark and stormy night . . . this is the atmosphere you find throughout The Black Water Anthology of Fantastic Literature selected and edited by Alberto Manguel.

Every story has something that reminds you it is not necessarily a bad idea to look over your shoulder every now and then . . . just in case, someone could be watching . . .

The shortest story, one of the best I've ever read, is called Climax for a Ghost Story, written by I. A. Ireland:

'How Eerie!' said the girl, advancing cautiously.' - And what a heavy door!' She touched it as she spoke and it suddenly swung to with a click.

'Good Lord!' said the man, 'I don't believe there's a handle on the inside. Why, you've locked us both in!'

'Not both of us. Only one of us,' said the girl, and before his eyes she passed straight through the door, and vanished.

How does that grab you?! Every story in the selection makes you understand why your hair could stand on end if you really got a big fright. Nearly like when you read your tax assessment.

Writers included in the selection are: Ray Bradbury, Julio Cortázar, Jules Verne, Edgar Allan Poe, Daphne du Maurier, Henry James, Oscar Wild, Frans Kafka, Hermann Hesse and about twenty others you know well. There are a number of translated stories by authors such as Julio Cortázar, João Guimarães Rosa and Horacio Quiroga who I only know of through the Anthology.

One of my other favorite short stories in the selection is An invitation to the hunt by George Hitchcock and it's a must read, must, must . . . I felt as if I were going to have a fit after I read it. One day I am going to read it again.

If you like staying home alone with a good book and getting up from under the cozy covers once or twice or more to check if all the doors are locked this is for you. If you write short stories this is Short Stories 101, 102 and 103.

As you know making newnoise often means thinking in strange and peculiar ways. All that means is that you think a bit further than the usual strange and peculiar person. Writers don't really stand out in a crowed what stands out about them is what and how they think.

Remember, make newnoise!

newnoise1 falls for the Coen brothers

newnoise1 falls for the Coen brothers

I am not an ignoramus. I know lots of stuff, such as which year the Second World War ended, who Einstein was, why you don't mix your alcohol with your medication. But, I confess, I never realized I was a Coen brother's fan.

How did they get to me? I mean I thought I was successfully avoiding the Coen brothers all these years. I'm not one for blood and guts. I'm a female writer, sensitive and easily grossed out. There's only one way you're going to get me to voluntarily watch violence and that's by handing me buckets of popcorn as a distraction.

The end of my innocence started when I watched The Big Lebowski for the third time last night. I thought this will be a good movie to blog about, it's hilarious and thought provoking.

I googled The Big Lebowski and guess what? Blogging robs us of our own ignoramias. It dawned on me, somewhat surprisingly, that at least five of my favorite movies were written and directed by none other than the Coen brothers. I felt like a traitor to myself and my kind.

Obviously I'm no movie buff. I always thought of the Coen brothers as similar to the Kray twins, the kind of men any decent girl should avoid. Coen brothers and Kray twins sounded the same to me.

Remember the foot with the sock on sticking out of the corn mill in Fargo? Remember Barton Fink swatting away at flies trying to get over his writers block in that boiling hot Hollywood hotel room? Remember Razing Arizona? Neither do I but I plan to watch it again I can remember I liked it.

Remember the Big Lebowski? The Dude, walking down the aisle in the supermarket wearing shorts, looking so Salvation Army, opening and smelling the milk as if whatever the Dude does must be cool?

I love this film. Not because every sentence contains the f-word, no, but to cast Jeff Bridges, that stylish hunk, as the sloppy Dude was some stroke of genius. I love it because the Dude is so trying to hang on to his cool while life gets so weird it makes his own extreme weirdness look normal.

Not to talk about the effect all the narcotics is having on his mind . . . like trying to remember what he was talking about and being unable to finish his sentences. Forgetting that the car window is closed and throwing his smoke out . . .that's the Dude.

It was like finding a favorite author who was writing under some other name all along.

The Coen brothers create Big characters, Marge in Fargo, cool, calm and collected. Barton Fink, completely stressed out, slapping away at flies and The Big Lebowski, the Dude with his floppy shorts and habit of exposing his hairy belly at the drop of a hat. Burn After Reading . . . it could happen . . . did you see the Russian embassy? I still don't know if it's really the Russian embassy but still . . . it does have a certain ring to it.

To find your writing voice you have to create memorable characters. I'm not sure where the Coen brothers found them. Apparently the Dude is based on a guy they knew who owned a crummy flat and a carpet that 'Tied the room together'.

Notice the odd little things about your friends and family. Your family should be the best place to start to look for weird characters. If you can't notice what's weird about your family you can't notice anything. Starting there, you have great characters, observe them carefully and find ways to express their eccentricities in your writing.

The Coen brothers grew up in Minneapolis and were born in the early fifties. I wish they first published their movies as books before they filmed them. I am going to write to them, care of their agent, to request this . . .

newnoise1 on writing a literary masterpiece

Find your writing voice, how to write a literary masterpiece

If you wake up one morning and find yourself transformed into a giant bug, don't cry about it, write about it!

Writers have new noise to make and nothing will stop them from making it. They know their craft and they feel passionate about their themes. Therefore, they are confident about what they have to say. Can you imagine giving Ayn Rand advice on a paragraph in Atlas Shrugged? Good luck to you.

Charles Dickens, George Orwell, J. D Salinger, T.S Eliot, Frans Kafka, Edith Wharton . . . these authors were not vaguely interested in the themes they chose to write about, they were consumed by them. Writers see new things in the things that other eyes miss. Freud said something like, 'Wherever I go, I find a poet has been there already.' Often the literary master writes and later the idea becomes part of the text book.

Charles Dickens wrote of the abuse of children in labor factories, William Golding on the consequence of war in The Lord of the Flies, Orwell described how the world of communism works in reality. Ayn Rand, who grew up in a communist country, felt she had to write about why capitalism as a rational way of life was superior to the communism way of life. Aldous Huxley had something to say about the future and how little courage would be needed in Brave new world. He was already writing about artificial insemination in 1937.

Hours, days and years of thought can go into a literary masterpiece. Somerset Maugham said people have no idea how much thought goes into a story or a novel before it is finally written down.

Even literary masters start as journalists, press agents, editors or bloggers. T.S Eliot worked in a bank for a while but he still lived to write. One of his central themes was our inhability to grasp Life with a capital L:

'What is that noise?'
The wind under the door.
What is that noise now? What is the wind doing?'
'Nothing and again nothing'
'Do
'You know nothing? Do you see nothing? Do you remember
'Nothing?'
I remember
Those are pearls that were his eyes.
'Are you still alive, or not? Is there nothing in your head?'
'But . . .

(The Wasteland)

Literary masters can write about extremely difficult concepts and make it look like a walk in the park. To a writer like Margaret Atwood, words and how to use them are second nature. From Cat's eye to The handmaid's tale, she has something to say that is of universal importance.

In a nutshell, to find your writing voice and make new noise:

* find a central theme that consumes you,
* write, write and write some more,
* develop an artist's eye - see things in your own way, and
* work on your confidence.

newnoise1 on how to save your news release from the trash can

How to save your news release from the trash can, things to avoid

• Editors see thousands of exclamation marks in a day, this makes them . . . rant.
• Using abbreviations such as FPSDC or acronyms such as DoP with no explanation of what it stands for. Write it out fully the first time it's used in a sentence: Fizzy Pop Soft Drink Company (FPSDC) or Drugs out Program (DoP). In fact try not to use abbreviations and acronyms it means double work as you will have to market the product name and the acronym.
• Bold, underlined capitals. This is overkill. The only reason I do it in my blog titles is that I can't figure out how to change the title settings.
• Announcing things and being proud of it. Editors don't care how proud you are of anything. Except if stated discretely in your last sentence about something that you are quite sure is utterly interesting to be proud of.
• Using two words where one will do. . . 'The company is proud to announce the launch . . . ' versus 'The company plans to launch . . .'
• Using words editors don't understand make them . . . rant.
• Not getting to the point quickly. This must happen in your first sentence.
• Spelling your managing director's name wrong.
• Sharing what will happen but not where . . . or when.
• Assuming an editor will think your event is as great as you think it is.
  

newnoise1 on how to write a news release

How to write a news release


News release

Fizzy Pop Soft Drinks launches 'Drink me now'

12 December 2010

Your first paragraph states the news:

'Fizzy Pop Soft Drinks, the multimillion rand soft drink company, will launch a new addition to its soft drink line at the Funky Fountain, in Tiny Town, on Monday 5 January 2010 at 16:00.

Called 'Drink me now' the soft drink has a distinctive grape flavor, purple color and complements other fruit flavored soft drinks available from the Fizzy Pop line.

The first paragraph answers the essential questions: who, where, why, what and . . . you can get back to 'how' later in this news release.

Your next paragraph can contain a quote from an authority on the subject. This makes the news release more 'alive' and gives it credibility:

Managing Director, Grant Fox, says that Fizzy Pop Soft Drinks has moved from strength to strength in soft drink sales over the past ten years. 'Our secret is in the care we take with the development of each new soft drink. It took five years of serious research and tasting to perfect 'Drink me now, ' he said.

Finally, additional information can be added to what you want to say about the company:

Fizzy Pop Soft Drinks has invited learners from schools in the Tiny Town area to attend the launch.

The company is proud of its drug prevention program aimed at children in the preteen age group.

When you have said what you wanted to say, write:

End

Then include a contact name, telephone number and email address.

The news angle you decide on will be influenced by the content of the newspaper or magazine you are sending it to. For a magazine aimed at drug prevention among teenagers you will start your news release from the drug program angle:

'Fizzy Pop Soft Drinks, the multimillion rand soft drink company, will launch a new addition to its soft drink line at the Funky Fountain, in Tiny Town, on Monday 5 January 2010 at 16:00. The company has invited learners from schools in the Tiny Town area to attend the launch and plans to promote its successful drug prevention program during the event.

Called 'Drink me now' the soft drink has a distinctive grape flavor, purple color and complements other fruit flavored soft drinks available from the Fizzy Pop soft drink line. . .'